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However, paradoxically, in Pak's films, every now and then buddhism sprouts. The heroes of his tapes, spinning the wheel of samsara, carry particles of the attitude, following the four noble truths, and Pak, with only a little nod of the digital camera, marks the key points of his narrative. I watched exceptional movie on https://123movie.media/123movies/ free.The very first Truth is the Truth about suffering ... I met this film quite once, but I still couldn't get it, I couldn't bring myself to take a seat and watch, although, I confess, Park Chang Wook is the most popular director. It was scary even to start watching, the topic is actually difficult for me personally, and knowing the characteristics of your director, it's simply unbearable.The film features favorite Park actors and Lee Byung Hun, and Shin Ha Kyun, and Kang Song, and of course Lee Aung Ye. Furthermore, these actors are actually practically the elite of Korean cinema, continuing to act with Park, without only with him.The Second Truth would be the Truth in regards to the origin and reasons behind suffering ... Unfortunately, there is little music in the film, there are little branded Pak violins and cellos, sprouting only afterwards, rendering it more piercing. And the operator is different, although there are also many close-ups, the digital camera is rotating constantly, like looking for in the faces with the characters the reply to the question: Why and why are they here. And also the images with the heroes from this only brighter, the director raises an extremely delicate topic - a modern day person that will it, but doesn't understand why. A lost hero with a product gun available as one hand and a form of cookies inside the other, a kind of chewing biomass obediently performing commands.The third Truth will be the Truth around the true cessation of suffering ... And suddenly these puppet soldiers begin to trust and act in their own individual way. There's something Russian through these moods, I cannot even explain, but this is usually a subtle sensation of life, love for your personal neighbor, camaraderie. People with souls etched away by patriotism suddenly become children again, not distinguishing territories, but accepting the world, and people in it with each of their shortcomings and sorrows. And Park Chang Wook, using a bitter, ironic grin, adds light to us to acquire a better look at these newly reborn souls. In no film I became so pleased with all the setting of the sunlight, the slightly noticeable change in color inside frame, heavy shadows on faces from the characters. Playing with color and lightweight in a scene that has a mine within the field is usually Cannes or Oscar worthy.The last Truth would be the Truth about the methods to separate suffering ... Unfortunately, the almost theatrical film of the famous Korean director would not leave the heroes just one chance for the normal life. Conventions prevail across the characters, I felt almost palpable horror in the finale. Perhaps they choose the only correct way outside the situation - death, having first recognized individuals one another, it is impossible to see them as enemies again.The strength of Park's films depends on the mix of touching romantic relationships and implacable self-cruelty. In her eyes, were just children in ugly masks, afraid to take them out and recognize each other.